A hybrid collection filled with sublime prose about life, pain, and love
Bruce Ballard’s Invitations is a culmination of poetry and short stories, some focused on Parkinson’s while others are a window to a fictional world.
The poetry tends to center around Parkinson’s and brings knowledge of the disease to the foreground. One poem, named “The Guest,” thoroughly examines life with Parkinson’s and the desire to hold onto hope. The short stories have distinct protagonists with a focal point on sexuality and romance.
Invitations is a special kind of reading experience from beginning to end. The mixing of settings, formats, and fictions make for a constantly surprising collection, each with its own flare. While the stories are often fantastical and dramatic, the poetry interrupts with a dose of realism—a wonderful dynamic.
The poetry takes on a variety of forms, including haikus and sonnets. The sonnets are particularly memorable, the rigid style working well with the subject matter of health. The word usage and rhyme are also quite clever, especially when you consider how difficult it has to be to rhyme with Parkinson’s.
One noteworthy poem, “The Turkey,” felt out of place at first. It follows a similar rhythm to Edgar Allan Poe’s “The Raven,” but “The Turkey” follows a group of farm animals in their uprising against the farmer and his family. They are led by Tom Turkey, who warns them of the farmer’s intention to kill the livestock for Thanksgiving. The poem ends on a more existential note, asking what the meaning of life is amidst all the carnage. This allegory for war ends as my favorite piece of the collection. There’s no logic in creating suffering: a theme that continues to arise in the text.
Invitations has so many intimate, frank, important moments. In a section titled “The Last Call,” the narrator has a conversation with his doctor about potentially contracting an STD. Rather than dulcifying the experience, Ballard shares a forthright dialogue on the topic in a successful, immediate second person. The HIV epidemic of the 1980s is delved into with care, a subject personal and global to the narrator. I really enjoyed the subtle inclusions of religion, too, as Ballard intersects race, religion, gender, and even class in a way that always feels authentic.
Invitations would be a great fit for all source of readers—fiction, memoir, poetry. It platforms crucial issues like Parkinson’s, health, religion, and beyond in thoughtful, insightful ways. Although it can be quite vivid, especially with intimacy, it’s done in a way that is necessary to the conversation. Readers will step away from this collection with gratitude for having discovered it.